Tuesday, February 28, 2006
Film Treatment
The basic idea would be to combine the Zombie and Samurai (chambara) genres. This could either be a live action or animated film. Even better would be an animated prequel and a live action feature. Don't steal this film treatment. It is copyrighted now that it has been posted here and the date is here for everyone to see.
I am seeking financial backing or a production company looking to make a cult-film that will have a long shelf-life. By combining these two genres, fans of both will want to see this film and buy the associated merchandising. Much of the design work can be done in house by WoodyCompton.com.
The majority of the fun will be in the zombie attack scene in the 2nd act. Most of the plot is written to allow for many creative ways to dispatch zombies with traditional Japanese weapons. The film should be a hard R rating or unrated to allow for very gory scenes of zombie-related mayhem. This film will have an all-Asian cast and characters will be named for famous Japanese actors.
The film starts with avery delapidated han (village) that looks like it has fallen into severe disrepair. You see villagers going about their daily tasks, but they look thin, unhealthy, and depressed. As we enter the village the shot pans to a traditional Japanese dwelling where a meeting of the leaders of the village are discussing their plight.
A drought has left most of the crops dead and the village in a desperate situation. After paying taxes, the villagers have no money left to feed themselves or replant the village. The elders and leaders are discussing a solution to the drought and the idea of bringing in a "wizard" to try to bring rain. Even though they can't really afford to pay such a wizard, they have no choice but to try. They decide to put out the word that they need a rainmaker.
A wizened old tiny man sits in a tree sleeping balanced on a single branch. This is the traditional old wise-man character of many Japanese films on which they based Yoda: short, very wrinkled, and difficult to deal with. He is a smart-ass and a bit of a pervert. He overhears two villagers discussing the plan to find a rain-maker and decides to head towards the village. He drops down 20 or so feet and lands gracefully and effortlessly showing us there is more to him than we initially suspect.
He approaches the villagers with the promise of being able to cause rain. They discuss the payment with him but he is cranky and difficult to negotiate with. They offer money but he prefers to take a young girl as his wife. They harshly rebuff this offer as it is the leader's daughter (Zyang Ziyi); they eventually settle on gold. They don't believe he can really make rain, so they want proof. He says he will return the next evening to collect his money after they have their proof.
That night there is a brief misty rain that evaporates quickly but convinces the villagers that the old man is serious. They decide to pay him, but can not afford to do so. They scrape together everything from everyone in the village with the promise the money will only be gone for a few days. No other explanation is offered.
When the old man returns the following night, they give him his gold and he quickly leaves. later that evening the villagers are discussing the fact that they might have been had. There was no rain that night, and the misty rain might have been just luck. The old man was gone and they didn't have anything to show for it. They convince themselves to find the old man and get their gold back any way they can.
We see the old man sitting in the dark in a clearing with only a small fire. He is reciting an incantation and using Japanese magic symbols with hand gestures. He is obviously very focused and concentrating on the task at hand. Suddenly, a fabric bag covers the man. We see three villagers. One is holding the bag as the old man struggles and curses them. The samurai villagers stab their sheathed swords into the bag trying to get him to talk and reveal where the gold is hidden. They give up and tie him to a tree branch while he thrashes in the bag and curses them. They find the gold right out in the open and still in the box he received it in. They take the gold and just leave the old man tied to the tree.
We see the three samurai return to the village with the gold, and they talk about other possible solutions to the drought problem. We pull back as the talk fades away.
Cut to the old man freeing himself from the bag and falling onto a root head first. He is black and blue and angry. He speaks to himself promising rain for the village and laughs wickedly.
Cut to the village and their reactions as it slowly starts to sprinkle and builds to a full, heavy rain. The villagers cheer and celebrate, going to bed with hopes for a brighter future. Their double-cross of the old man is forgotten amongst the high hopes. The following morning, the rain has stopped and the earth appears cracked. As the villagers awake they see recently departed relatives and friends ambling around town (Romero style--no running). Due to the recent drought, there have been many deaths. The villagers approach the zombies and many are eaten and killed. As the police and samurai are made aware of the zombie threat a series of samurai/zombie battles begin. At first the samurai approach the undead as normal humans and attack with a single stroke. They quickly find that that does not kill the undead. Many fights occur with limbs flying and many zombies cut in half, but still coming forward.
Eventually the samurai realize that they have to behead or split the head to stop the zombies. Many beheadings ensue. A number of villagers are lost to the zombies and they have begun to attack the samurai. They find this very disturbing and seem to be overwhelmed with the growing attack. They defend the village elders and protect the leader's daughter bravely. As things look their worst...
The old man appears on one of the houses. He offers to stop the zombie horde for his gold back AND the head villager's daughter. They refuse, but as the zombies close in, the leader gives in a selflessly says yes.
The old man repeats the magic incantation and the zombies crawl back into the earth in a disturbing and unusual manner.
After the scene calms, the villagers curse the old man and tell the leader not to give up his daughter. But they all fear the old man and let them leave as his daughter cries and emotions run high.
Cut to: Another village but this time they are discussing the drought issue around a campfire outside. As they talk they don't notice a couple walk up. They are a slender woman and a short man only seen in silhouette. As the group stops talking they notice the couple. As they get closer to the fire you can see the old man and the villager's daughter who looks either VERY unhealthy or like the walking dead. The old man removes his large straw hat and says, "Did someone say, "rain?"
I am seeking financial backing or a production company looking to make a cult-film that will have a long shelf-life. By combining these two genres, fans of both will want to see this film and buy the associated merchandising. Much of the design work can be done in house by WoodyCompton.com.
The majority of the fun will be in the zombie attack scene in the 2nd act. Most of the plot is written to allow for many creative ways to dispatch zombies with traditional Japanese weapons. The film should be a hard R rating or unrated to allow for very gory scenes of zombie-related mayhem. This film will have an all-Asian cast and characters will be named for famous Japanese actors.
The film starts with avery delapidated han (village) that looks like it has fallen into severe disrepair. You see villagers going about their daily tasks, but they look thin, unhealthy, and depressed. As we enter the village the shot pans to a traditional Japanese dwelling where a meeting of the leaders of the village are discussing their plight.
A drought has left most of the crops dead and the village in a desperate situation. After paying taxes, the villagers have no money left to feed themselves or replant the village. The elders and leaders are discussing a solution to the drought and the idea of bringing in a "wizard" to try to bring rain. Even though they can't really afford to pay such a wizard, they have no choice but to try. They decide to put out the word that they need a rainmaker.
A wizened old tiny man sits in a tree sleeping balanced on a single branch. This is the traditional old wise-man character of many Japanese films on which they based Yoda: short, very wrinkled, and difficult to deal with. He is a smart-ass and a bit of a pervert. He overhears two villagers discussing the plan to find a rain-maker and decides to head towards the village. He drops down 20 or so feet and lands gracefully and effortlessly showing us there is more to him than we initially suspect.
He approaches the villagers with the promise of being able to cause rain. They discuss the payment with him but he is cranky and difficult to negotiate with. They offer money but he prefers to take a young girl as his wife. They harshly rebuff this offer as it is the leader's daughter (Zyang Ziyi); they eventually settle on gold. They don't believe he can really make rain, so they want proof. He says he will return the next evening to collect his money after they have their proof.
That night there is a brief misty rain that evaporates quickly but convinces the villagers that the old man is serious. They decide to pay him, but can not afford to do so. They scrape together everything from everyone in the village with the promise the money will only be gone for a few days. No other explanation is offered.
When the old man returns the following night, they give him his gold and he quickly leaves. later that evening the villagers are discussing the fact that they might have been had. There was no rain that night, and the misty rain might have been just luck. The old man was gone and they didn't have anything to show for it. They convince themselves to find the old man and get their gold back any way they can.
We see the old man sitting in the dark in a clearing with only a small fire. He is reciting an incantation and using Japanese magic symbols with hand gestures. He is obviously very focused and concentrating on the task at hand. Suddenly, a fabric bag covers the man. We see three villagers. One is holding the bag as the old man struggles and curses them. The samurai villagers stab their sheathed swords into the bag trying to get him to talk and reveal where the gold is hidden. They give up and tie him to a tree branch while he thrashes in the bag and curses them. They find the gold right out in the open and still in the box he received it in. They take the gold and just leave the old man tied to the tree.
We see the three samurai return to the village with the gold, and they talk about other possible solutions to the drought problem. We pull back as the talk fades away.
Cut to the old man freeing himself from the bag and falling onto a root head first. He is black and blue and angry. He speaks to himself promising rain for the village and laughs wickedly.
Cut to the village and their reactions as it slowly starts to sprinkle and builds to a full, heavy rain. The villagers cheer and celebrate, going to bed with hopes for a brighter future. Their double-cross of the old man is forgotten amongst the high hopes. The following morning, the rain has stopped and the earth appears cracked. As the villagers awake they see recently departed relatives and friends ambling around town (Romero style--no running). Due to the recent drought, there have been many deaths. The villagers approach the zombies and many are eaten and killed. As the police and samurai are made aware of the zombie threat a series of samurai/zombie battles begin. At first the samurai approach the undead as normal humans and attack with a single stroke. They quickly find that that does not kill the undead. Many fights occur with limbs flying and many zombies cut in half, but still coming forward.
Eventually the samurai realize that they have to behead or split the head to stop the zombies. Many beheadings ensue. A number of villagers are lost to the zombies and they have begun to attack the samurai. They find this very disturbing and seem to be overwhelmed with the growing attack. They defend the village elders and protect the leader's daughter bravely. As things look their worst...
The old man appears on one of the houses. He offers to stop the zombie horde for his gold back AND the head villager's daughter. They refuse, but as the zombies close in, the leader gives in a selflessly says yes.
The old man repeats the magic incantation and the zombies crawl back into the earth in a disturbing and unusual manner.
After the scene calms, the villagers curse the old man and tell the leader not to give up his daughter. But they all fear the old man and let them leave as his daughter cries and emotions run high.
Cut to: Another village but this time they are discussing the drought issue around a campfire outside. As they talk they don't notice a couple walk up. They are a slender woman and a short man only seen in silhouette. As the group stops talking they notice the couple. As they get closer to the fire you can see the old man and the villager's daughter who looks either VERY unhealthy or like the walking dead. The old man removes his large straw hat and says, "Did someone say, "rain?"
Thursday, February 23, 2006
Woman Admiring a Drawing of the Sea.
Just sitting down to watch "Ultimate Avengers" on DVD. Not a bad cartoon version of the Avengers comic book. The animation is not too bad, although the character designs have that sort of lame saturday morning look. But, for anyone who ever read the Avengers comics, it is pretty enjoyable. Be forewarned... Kick Fury is now black, and Captain America has blonde hair. Also a few of the costumes are "modernized". Good points: It has Nazis and the Hulk fighting the Avengers.
Wednesday, February 22, 2006
I've had it with this guy. I can't think of any other solution!
Cigarette courtesy of The Tabacco Lobby
Monday, February 20, 2006
Sunday, February 19, 2006
Friday, February 17, 2006
Wednesday, February 15, 2006
Rubber or Leather?
Ugh, sick today. My friggin neighbor passed me his illness. feel like crap. Lazy, quick art today.
Monday, February 13, 2006
Saturday, February 11, 2006
Warm Leatherette
See the breaking glass
In the underpass
See the breaking glass
In the underpass
Warm leatherette
Hear the crushing steel
Feel the steering wheel
Hear the crushing steel
Feel the steering wheel
Warm leatherette
Warm leatherette
Warm leatherette
Melts on your burning flesh
You can see your reflection
In the luminescent dash
Warm leatherette
A tear of petrol
Is in your eye
The hand brake
Penetrates your thigh
Quick -- Let's make love
Before you die
On warm leatherette
Warm leatherette
Warm leatherette
Warm leatherette
Warm leatherette
Join the car crash set
Friday, February 10, 2006
Kind of Blue
Red Light-Siouxsie I adore the terms "shutterslut" and "Kodawhore".
She falls into frame with a professional pout but the polaroids ignite on seeing their subject and the aperture shuts-too much exposure
Voyeur sucks into focus-floodlit the glossy kiss-pit but as emulsion drips down...down
the aperture shuts-too much exposure
Come into this room-Come into this gloom See the Red light rinsing another shutterslut wincing the sagging half-wit sister
pretty, pretty picture
of an ancient nipple shrinking-that Kodakwhore winking 'til the aperture shuts-too much exposure.
Randy Couture
Randy Couture retires after an amzing career of competition in mixed martial arts. A great competitor and a great human being. Humble, soft spoken, and a true man of honor. You will be missed.
Thursday, February 9, 2006
Wednesday, February 8, 2006
My cartoon of Muhammad
My cartoon of Muhammad
Please don't protest or call for a Jihad. This is the Muhammad I grew up with.
Please don't protest or call for a Jihad. This is the Muhammad I grew up with.
Tuesday, February 7, 2006
Untitled
I have seen all three Academy Award nominated animated films, and they are good! Usually there is a stinker in there that I pray won't win despite its popularity. Something Like Shrek 2, or another mediocre computer animated mind-number. This year, the animation is all retro! We have clamation and cell animation. No computer stuff. I loved The Incredibles, but there is a lot of lame-o computer stuff out now. This year, we get another great cell animated film from Myazaki, a Tim Burton stop-motion beauty and a full-length Wallace and Gromet claymation feature.
Howl's Moving Castle is not Miyazaki's best work, but it is still pretty damn good. The characters are quirky and the story unique, so if you like Miyazaki, give it a shot. The only reason it looks like a lesser work is that Spirited Away was so well done. Howl's Moving Castle is based on a Japanese children's book, and man does it look cool. I have the region 2 japanese disc, but definately get the Disney release once it is available if you enjoy Miyazaki.
The Corpse Bride is quite possibly as well done as a claymation or stop-motion feature can get. Technically, it is flawless. The charcater designs are great and I love the color palette of the world of the living and the world of the dead. It is far better animated than The Nightmare Before Christmas, but the songs are far superior in Nightmare. Still, this is a great film and highly recommended for those who enjoy the Tim Burton look.
Wallace and Gromet:The Curse of the Were-Rabbit is another very funny adventure of the mad-inventor team. The log-suffering Gromet is the brains of the operation and Wallace quests for cheese. In fact, in an earlier short, he goes to the moon to eat the cheese there! The comedic timing and action pieces are great in all of Wallace and Gromet's adventures. The Rube Goldberg devices used throughout are very clever and often laugh out loud funny. The characters are very simple and not nearly as technically accomplished at The Corpse Bride, but when Wallace wears a cardboad box to hide his nakedness and the box is labeled, "May Contain Nuts"... It's hard not to blow milk out of your nose. There are a lot of small sight gags like this throughout, so be alert and observant.
All are great, so whichever one wins the Oscar.... GREAT! Tim Burton's Corpse Bride is my personal fave, but wouldn't it be cool for Wallace and Gromet to get it! Miyazaki has already got one. I don't know who to root for, but you can't go wrong by renting any of these! I wish all of life's choices were between three great options.
Howl's Moving Castle is not Miyazaki's best work, but it is still pretty damn good. The characters are quirky and the story unique, so if you like Miyazaki, give it a shot. The only reason it looks like a lesser work is that Spirited Away was so well done. Howl's Moving Castle is based on a Japanese children's book, and man does it look cool. I have the region 2 japanese disc, but definately get the Disney release once it is available if you enjoy Miyazaki.
The Corpse Bride is quite possibly as well done as a claymation or stop-motion feature can get. Technically, it is flawless. The charcater designs are great and I love the color palette of the world of the living and the world of the dead. It is far better animated than The Nightmare Before Christmas, but the songs are far superior in Nightmare. Still, this is a great film and highly recommended for those who enjoy the Tim Burton look.
Wallace and Gromet:The Curse of the Were-Rabbit is another very funny adventure of the mad-inventor team. The log-suffering Gromet is the brains of the operation and Wallace quests for cheese. In fact, in an earlier short, he goes to the moon to eat the cheese there! The comedic timing and action pieces are great in all of Wallace and Gromet's adventures. The Rube Goldberg devices used throughout are very clever and often laugh out loud funny. The characters are very simple and not nearly as technically accomplished at The Corpse Bride, but when Wallace wears a cardboad box to hide his nakedness and the box is labeled, "May Contain Nuts"... It's hard not to blow milk out of your nose. There are a lot of small sight gags like this throughout, so be alert and observant.
All are great, so whichever one wins the Oscar.... GREAT! Tim Burton's Corpse Bride is my personal fave, but wouldn't it be cool for Wallace and Gromet to get it! Miyazaki has already got one. I don't know who to root for, but you can't go wrong by renting any of these! I wish all of life's choices were between three great options.
Monday, February 6, 2006
How I feel today.
One of those days with a migrane and a gloom hanging on my head. We had another flood this weekend and the living room is still full of relocated items from the lower portions of the house. I have a serious fear associated with the sound of rain.
Sunday, February 5, 2006
A Logo for a Friend
The above for a logo/character design for friend wo needed something "retro", "cute" and "simple". I did a few sketches with her present and the sat down to draw up the final version. The design was completed in about 90 minutes from the initial meeting to e-mailing the final design.
So, I can do more than fabulous gothic beauties. So anyone needing me for a corporate gig, just make they check payable to "Woody Compton".
Friday, February 3, 2006
Drawn the old-fashioned way
Wth Just a brush and some india ink.
All fancied up with Photoshop Layers I created...
Spicing Up a Very Simple Drawing
Here is the very simple Original...
And here it is with my previously created and stored patterns added. Fence/fishnets are added to the legs and a lace pattern is added to the bra and is blended with black to give the right effect. A background tone is added tio make the picture look less flat. It tok longer to add the tones than it did to draw, but the end result is much improved. It also helps me to draw quickly so my hand doesn't go numb from the nerve damage I have.
And here it is with my previously created and stored patterns added. Fence/fishnets are added to the legs and a lace pattern is added to the bra and is blended with black to give the right effect. A background tone is added tio make the picture look less flat. It tok longer to add the tones than it did to draw, but the end result is much improved. It also helps me to draw quickly so my hand doesn't go numb from the nerve damage I have.
Thursday, February 2, 2006
About the Opera Gloves
In case anyone thinks I am drawing armless "Venus De Milo" women or cut up "Boxing Helena" victims, these women are wearing long opera gloves. The black gloves are receeding into the darkness and vanishing in to negative space. No women were harmed during the illustration of this blog.
Yet another Vampire Mistress of the Dark
I know there have been a lot of Goth Babes on here lately. I will add more variety to the pictures I post next week. I just wanted to have plenty of art to pupulate the site www.womenwhowearblack.com
I tried drawing in the texture on the fishnets, but it didn't look quite right. So I built a texture pattern by using vertical lines and pasting another set over them at a 45 degree angle in Photoshop. Once I create a pattern like this, it is stored and available for use again in another picture. I tried using a patern made for fences, but again it didn't look right. These patterns are used by cartoonists and especially japanese manga. They ae probably used to speed up the process of drawing, but after seeing applied patterns used by many of my favorite artists, I have come to enjoy the uniformity of Zip A Tone like paterns. Japanese artists are masters of their use and now that they can be pasted in using another layer of Photoshop, they are far less difficult to use and far less expensive. I have bought a collection of some patterns and I make the ones that I need beyond those. Computers certainly can make artwork for reproduction easier. The downside is that if someone wanted to purchase the original, I would have to create a transparent adhesive of the pattern to apply to it. Some of my originals are "finished" in the computer. This is nice as your originals stay "clean". White out flakes off over time and ZipaTone adhesives come lose eventually.
Digital originals will not yellow or degrade, but if you didn't scan it at high enough a resolution, you might have to recreate it from scratch. For example, if someone wanted to use the above illustration for t-shirt, it would need to be atleast 300 DPI. It was scanned to 100 DPI originally, it would have to be recreated at the higher resolution.
I tried drawing in the texture on the fishnets, but it didn't look quite right. So I built a texture pattern by using vertical lines and pasting another set over them at a 45 degree angle in Photoshop. Once I create a pattern like this, it is stored and available for use again in another picture. I tried using a patern made for fences, but again it didn't look right. These patterns are used by cartoonists and especially japanese manga. They ae probably used to speed up the process of drawing, but after seeing applied patterns used by many of my favorite artists, I have come to enjoy the uniformity of Zip A Tone like paterns. Japanese artists are masters of their use and now that they can be pasted in using another layer of Photoshop, they are far less difficult to use and far less expensive. I have bought a collection of some patterns and I make the ones that I need beyond those. Computers certainly can make artwork for reproduction easier. The downside is that if someone wanted to purchase the original, I would have to create a transparent adhesive of the pattern to apply to it. Some of my originals are "finished" in the computer. This is nice as your originals stay "clean". White out flakes off over time and ZipaTone adhesives come lose eventually.
Digital originals will not yellow or degrade, but if you didn't scan it at high enough a resolution, you might have to recreate it from scratch. For example, if someone wanted to use the above illustration for t-shirt, it would need to be atleast 300 DPI. It was scanned to 100 DPI originally, it would have to be recreated at the higher resolution.
Wednesday, February 1, 2006
Angry Vampire Grrrrrrl.
Often I post pictures that are experiments with new stuff. That's what this is. Just a quick drawing with some photoshop techniques to add a bit of zip and color.
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